A windscreen, microphone grip, shoe mount adapter, AC adapter, USB cable, microSD card, 4-GB SD card, and case are included with the recorder.Ī two-track version (DR-22WL) has the same functionality and features, without the two external microphone/line inputs (see Figure 2). The input levels and filter settings of the recorder can be adjusted from within the app and an LED on the recorder and the app screen confirms the status of the connection. Recorded audio can be streamed back to the mobile device for listening or posting online. The DR Control app controls the recorder over Wi-Fi and has an operational range of up to 20 m. This model can be powered by four AA batteries, USB power, or AC power. A stereo mini headphone output is built in to the recorder. The files are saved to SD, SDHC, or SDXC cards and then transferred to mobile devices or computers using Wi-Fi or USB 2.0.
Sample rates up to 96 kHz and 24-bit depth are supported for WAV files and rates up to 48 kHz at 320 kbps are supported when recording to MP3. It can automatically create a new file after a set time period or when the level drops to a given threshold. The recorder simultaneously records in both uncompressed WAV and MP3 formats. A 128 × 128-pixel LCD display with backlight is used for settings and metering display. A reverb effect, chromatic tuner, and metronome are also provided. The recorder simultaneously records a stereo file at the selected level and another back-up file at a lower level in case the main recording features distortion or clipping. The filter has four selectable frequencies from 40 to 220 Hz. Tascam’s DR-44WL four-track recorder with XLR inputs.Ī low-cut filter, automatic limiter, and peak reduction function are included. The internal and externally connected microphones can be used simultaneously for four-track recording. Phantom power is available so condenser or ribbon microphones can be used with the recorder. The inputs can be used with balanced or unbalanced signals at +4 or −10 dB levels. Combination locking XLR/TRS inputs for microphone or line-level inputs are located on the bottom panel of the recorder. The microphone capsules are suspended in their own rubber shock mount to reduce handling noise and low-frequency rumble, and they can support sound pressure level (SPL) levels up to 132 dB without distortion and clipping. Ako univerzálny hardware rekordér, prehráva a rozhrania uTrack24 záznamy priamo na disky USB zapojený do. The larger of the two (DR-44WL) is a four-track recorder with XLR inputs for external microphones and built-in studio-quality stereo condenser microphones in an xy pattern (see Figure 1). Cymatic Audio uTrack24 24 kanálový multi-sledova záznam je ideálny FOH stojan pre akýkovek zvukový ininier, ktorý potrebuje jednoduché pouitie multi-sledova záznam.
A free iOS and Android app allows the recorders to be controlled remotely over Wi-Fi and also facilitates file transfer and audio streaming to mobile devices.
Tascam’s latest DR series of portable recorders feature built-in stereo condenser microphones and Wi-Fi support. This isn't a paid gig, but it is 4 hours away (free trip to Asheville, NC!) so I'd like to CYA where I could.Tascam Portable Audio Recorders with Wi-Fi Possibly going straight from 2626's to Cymatic? Hell with the DAW? I'm going to test into an H4n later this week, and have an eye on the Cymatic uTrack24 not just for this gig but for my bands back home as well.
Would a harddisk recorder, fed by the 2626 1/4" outs be a decent backup strategy in case of a crash? The 2nd and 3rd 2626's would already be operating as pre's, so even if the computer dies I believe they'd keep outputting signal. Condensers for drums stay with me, and don't get piped to the PA. I'd take the ISOs just in case, so phantom power doesn't get interrupted on channels going to the crowd. I'd like to stay upstream of it if possible, so I'm planning on using the splitters on everything that's mic'ed and going to the house. The band's PA is an old scratchy yamaha mixer of some sort. Half or less (really just vox and Kick) of those have to be shared with the main output mix. I expect terrible room sound quality (brewery), so I'm close micing everything I can: 19 channels +/. The band plays soul covers, so Drums, 3x Vocals, Bass, Guitar, Keys, Trumpet, Trombone. My question is for recording a friend's upcoming gig, June 24th. (disk too slow errors, FW Cable pulled out etc). I record at 44.1 to not tax the computer too much, but I'm worried about the laptop going down mid gig. Logic Express 9 (like I said, dark ages!) So, I have a basic mobile-ish recording rig that consists of:ġ3" MBP from the dark ages: 2.53 GHz Intel Core 2 Duo, 8GB RAM, 7200rpm drive I have old-ish gear, but I know it pretty well
I'm new to this stuff! (thread transfer, if appropriate, welcomed!) I have a recording redundancy question for an upcoming gig.